Endorsements

Drawing on four decades in the industry, Alex Reardon commented: "I've been in this magnificent and bonkers industry for roughly 40 years. In that time, I've seen some new products come onto the market that have been truly revolutionary. I am so glad that the very clever people at PROLIGHTS decided to take the gamble and come up with something absolutely incredible. All-too-often companies play it 'safe' and spectacularly underwhelm, this is very much not the case with HaluPix Duo! When I first saw it, I Prolights knew I had to find a way to incorporate it into a show. I was absolutely delighted with the results. This is a product that I wholeheartedly endorse, just use with caution, it is bright!"

"The EclFresnel CT+M and Profile CT+ fixtures give us that punch,” he notes, adding that the Profiles were particularly helpful in terms of providing flexibility to add or move positions, and do double duty, when necessary. “Before you’d have lights for talent and lights for scenery. This fixture can do it all. So, for example, if there’s a talent position I hadn’t planned for, I had spare fixtures in my ‘scenic lighting pile that can light people just as well as lighting scenery.”

“This was a new, purpose-built 1,000-seat Worship Center on their existing campus,” says Sam Paris, TruBlue’s Sales and Systems Manager. “And PROLIGHTS and Chroma-Q® deliver excellence consistently. For house lighting, there’s no comparison to the Inspire range of fixtures. They’re extremely feature-rich, offer high control capabilities, and accurate color representation across the entire fixture deployment, as well as providing excellent on-camera color.’

The success of this installation highlights how Luminex has redefined networking for Stagedge. “Luminex has changed the way we think about networking. These switches have made it easier for us to teach basic networking to our team. Everything about them just makes sense,” said Yacco.

With several years of experience running the system (Huston Rodeo), Brittain says they have had little occasion to call A.C. Lighting® (Americas) for support. But when they do, he said it's always been a “positive” experience, and they are “quick to respond.” And with “such a big system that's spread around all over the place in a stadium” and “for as many years and as many shows as it's been active, it's really been pretty rock solid.”

“The units (EclProfile CT+HP) were very bright, had a great dimming curve, and I was able to mix a great assortment of colours to meet the show’s needs… I can’t wait to use these again, and can only say good things about the fixture,”

“I’ve never had much interaction with Prolights gear, but once I was introduced to this product, I knew it would be the perfect fit and never looked back.”

“A company that asks: ‘How is this going to improve what we do in our industry?’ Follow Me does that. Prolights, Color Force, and Luminex are doing that. A.C. seems to have product lines that are setting the new standard. Take Luminex switches. They’re specifically made for the entertainment industry – that’s game changing. And I’m likely going to end up with Luminex switches in this system because of what they can do. And, A.C., again, is distributing that. They seem to associate themselves with brands that are forward-thinking.”

I like them (Color Force II Plus). They have good color range, brightness, and a nice throw.

As a project manager, I’m closely involved in shaping the look and feel of every show and Color Force II Plus have become a go-to for good reason. Their flexibility and functionality are unmatched. Whether it’s lighting a stage backdrop, scenic elements, or creating bold color washes, the depth and richness these fixtures bring consistently elevate the entire experience.

I’m not a lighting designer, but I’ve run enough shows to know what delivers—and Color Force II Plus fixtures deliver. When I spec them in, it’s like giving the lighting team a gift. The output, the color blending, the punch—they just make everything look better. It’s one of those tools that instantly elevates the whole room.

The Color Force II Plus is easily the top fixture on the market for lighting drape or scenic elements. The color saturation is phenomenal, the brightness is powerful, and the lensing does a beautiful job diffusing the output to eliminate hot spots. Simply put—they’re just really great lights.

I love providing Color Force II Plus fixtures because they check every box—for designers, they deliver beautiful, consistent color and flawless wall washes; for master electricians, they’re reliable, easy to rig, and a dream to work with. As a project manager, it’s a win when a fixture satisfies both sides of the production.

The Color Force II Plus lights are fantastic. The intensity and color saturation is far superior to the colour chorus fixtures. The lensing also blends better on scenic elements, giving even coverage at close range.